![]() ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.I'd know how to make The Angry Hills better in a thousand ways." References It had a potential that was never remotely realised. Robert Aldrich later said the film was "disappointing not because it's not a good picture but because it could have been good. Box office Īccording to MGM records the film earned $510,000 in the US and Canada and $775,000 elsewhere, resulting in a loss of $497,000. Thank you, very much." Despite whatever promises about length or final cut they made to you, they take it back then and do what they were going to do in the first place. The Strosses of this world just hang back there and let you work your ass off, till you're all through, and then say, "Fine. So they thought that as long as it was an hour and a half with Mitchum and some Greek scenery, it would work. He understood that Metro was buying film by the yard then, and Mitchum was reasonably hot. I stayed to make The Angry Hills for Raymond Stross. Robert Aldrich had just made Ten Seconds to Hell in Germany. The film was shot from June to December 1958 with location shooting in Greece and interiors at MGM-British Studios. Bezzerides, who had written Kiss Me Deadly for Aldrich. Leon Uris did the first draft of the screenplay. Pier Angeli was wanted for the female lead. That bum will do anything if he has five minutes free.' Well I had five minutes free so I did it." So, what happened? Some idiot said, 'Ask Mitchum to play it. They decided he wouldn't do for the big war correspondent. According to Mitchum, Alan Ladd was meant to play the lead but the producers drove out to Ladd's house and met him after "he'd just crawled out of his swimming pool and was all shrunken up like a dishwasher's hand. Stross eventually set up the film with MGM and New York's Cine World Productions, and announced Robert Mitchum would star. įilm rights were bought by Raymond Stross in England, who said he wanted Clark Gable for the lead. Because of its Greek setting, Uris was hired to write the screenplay for Boy on a Dolphin. Having memorized the list he destroys it and is then pursued by various groups of people keen to have it: Communist resistance fighters, the Gestapo and Greek collaborators. Menachem F17, who interprets it, "the heat of wrath" so the Lord's suffering such a scene of bloody persecutions to attend his church in the first ages of Christianity might seem to be: but with everlasting kindness will I have mercy on thee, saith the LordĪll the dealings of God with his people, however dark and dismal they be, whatever appearances there are in them of wrath and displeasure, they are all agreeable to, and do not contradict, his everlasting love and sooner or later he will make it manifest, he has mercy in store for his people, which he does and will exercise towards them this mercy flows from his love and kindness to them, which kindness is everlasting, and continues in and through all states and conditions into which they come the consideration of which is very comfortable and encouraging, and of which they may be assured from the relation the Lord stands in to them as their Redeemer for, having redeemed them at the expense of his blood, he will effectually gather them by grace in calling, and will never lose them, or suffer them to perish here or hereafter.į16 ( Puq Puvb) "pauxillo irae exundantis, exiguo irae ebullientis", Vitringa.į17 Apud Jarchi, Kimchi, & Ben Melech, in loc.Set in Greece in 1941, before and after the German invasion, the film follows an American journalist who possesses a list of Greek resistance leaders. The Syriac version renders it, "great wrath" and so Schultens F15 thinks the word signifies "overflowing wrath" F16, and the vehemency of it to which agrees R. ![]() ![]() This signifies much the same as before, when God hides his face from his people, withdraws his gracious presence, and does not grant the discoveries of his love or they are under the frowns of his providence, and have not the smiles of his face and the light of his countenance as formerly, then they think they are forsaken by him though all this is but for a moment, a small period of time and though it seems to be in "wrath", it is but "little wrath" and this wrath is no other than the displeasure of a loving and tender hearted father. In a little wrath I hid my face from thee for a moment
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